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	<title>Comments on: Telecine</title>
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	<description>One Norwegian's adventures in Mexican direct to video film production</description>
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		<title>By: Marek</title>
		<link>http://www.mexploitation.org/2006/07/17/telecine/comment-page-1/#comment-76</link>
		<dc:creator>Marek</dc:creator>
		<pubDate>Tue, 15 Aug 2006 08:46:25 +0000</pubDate>
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		<description>The daVinci units are definitely overpriced (due to the low number of units manufactured, high development costs) and its true that with i.e. AfterEffects on a PC you have the same possiibilities (or even more) regarding the color correction alone. Unfortunately the workflow on a PC is very slow and it can&#039;t be done in real time. Even with SD you have to render the scenes first before you can check the results in motion, not even talking about HD or 2K. Beside the color correction you need a daVinci (or a Pogle) to control the filmscannner (telecine), which is usually far more expensive (1.000K ?)

regards</description>
		<content:encoded><![CDATA[<p>The daVinci units are definitely overpriced (due to the low number of units manufactured, high development costs) and its true that with i.e. AfterEffects on a PC you have the same possiibilities (or even more) regarding the color correction alone. Unfortunately the workflow on a PC is very slow and it can&#8217;t be done in real time. Even with SD you have to render the scenes first before you can check the results in motion, not even talking about HD or 2K. Beside the color correction you need a daVinci (or a Pogle) to control the filmscannner (telecine), which is usually far more expensive (1.000K ?)</p>
<p>regards</p>
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